standards2 
stan


-what we do and why
-infection control practice
-use of sterile technique

jewelry 

-jewelry materials
-barbell comparison
-captive ring comparison

aftercare2 



-simple recovery info

studio2 


-before you stop by...

funstuff2 
navelbarbell2

-graffiti gallery of piercing
-museum of tribal piercing
-free bodymetal font

staff2 
skull

-brian and colleagues

guestbook2 

-leave us a message

   
 
 
tux 

Jeff's Stuff...

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www.freshmeat.net
www.slashdot.org
www.linuxcare.com
www.gnome.org
 

 
 
 
I never thought of it as something to make into a
career, instead it was something I did to myself and
for my friends. My goal was to actually get a degree
in Physics, and in Fine Art- not making people shiny
as it was. In college, biology, anatomy, and fine arts classes gave me a deeper appreciation for the
human body ( as well as the research I´d done in
the local library on ancient cultures, primarily the
Sumerians and the Polynesian Islanders), I sought
new places to put metal in my body. Fun things
done reading from a nursing manual (college) /
Anatomy text book (High School) at my home,
experimenting with nostril, nipple, and lip piercings
- even poking some ink into my skin in the fashion
of the Polynesians (you must understand there wasno information available on piercing in my area, or for that matter in the state. Piercing was not
something anyone knew about, anyone who had
piercings were inclined to keep them hidden.)

In 1990 a year after graduating High School, I
moved to San Francisco with some of my friends for
college. There I started meeting ( and these people
were rare) with assorted body adornments. This
fascinated me, and I wanted to know more. My job
would not allow for these adornments, even though
I tried, so that idea was out. Here I saw the first
piercings done with clamps and corks, no to
mention the first modern body jewelry. ( Interesting
how they stole a "Tiffany´s" keychain design for
barbells, but used an ancient design for the captive
ring.) When the whole college thing turned sour,
and that is another story altogether, I moved back to
my home town for a coalescing of resources. There
I got together with someone I´d admired from afar
for years René Arnold. We decided to go back to
college, loaded up the car and moved to Flagstaff
Arizona, these schools were not what they seemed,
then again moving onto another school in another
city- Phoenix Arizona. There I planned to get a
vocation under my belt, something I´d done with the
family business for years, machining, and
automotive repair. Although the Financial Aid folks
didn't think that this was such a good idea, another
short lived plan. While in PHX I sought out any
piercing or tattoo studios where I could find part
time employment, but the demand was low- to say
the least. This is when I met Steve Hayworth, right
after he had opened the first piercing studio in the
Phoenix area, if not the state.
When the Phoenix thing didn´t pan out, we moved
back to Kingman Arizona, to run René `s
grandfather's company while he was ill. As fun as
this was (yikes), we decided to open our own
business. This is the time our first daughter was born, Fiona ( not named after the singer by the way) .
With the promotion of body piercing by
MTV, and the morning talk shows, there was now a
supply and demand for body piercing, we intended
to fill this void.
This we did with Chaos ltd, carrying jewelry crafted
from Niobium with Stainless or Hematite beads. We
made our own jewelry, my machining skills along
with René´s jewelry smithing expertise made this
very easy work. Feverishly we sought out new and
pertinent information on body piercing. In early `94
we were told of the APP ( the Association of
Professional Piercers) a California (San Francisco )
based organization, mostly a group of piercers
trying to effect a change at the time.
We grew weary of the small town scene,( and
rightly so- we had at the time of moving pierced
over 3000 people, hell that was over ten percent of
the city!) and set our sites on the glittery city of Las
Vegas Nevada. There were no piercing studios in
Las Vegas at the time, and only one tattoo studio
really did body piercing, this is where we met Anna
Howell ( rev. Mad Jack´s [RIP] ex) an extremely
experienced piercer and one of my friends to this
date. Las Vegas didn´t seem so nice after living
there for a while, with a temperature of 120°
average in the spring, we had a hard time just going
outside. When the offer to go out to Tennessee
came up, we packed up the studio and off we went.
Upon arriving in Nashville we found that the studio
had previously hired just about anyone to pierce,
who thought they could push a needle. For an
entire year we fought to build up a clientele base,
and build up a reputation ( As well as fixing some of the wackiest messed up piercings we'd ever seen)
In May of `96 we flew out to the APP´s first open meeting in Las Vegas ( the irony of it being in LV was not lost on us,) intending
to join the organization and meet some of the
piercers who were attending this event. We hoped
to glean valuable information from these seasoned
professionals from all over the world. We joined the
APP that day, and met some of the most influential
people in the piercing industry today. One of these
people being Brian Skellie, an intellectual striving
after knowledge and advancement in the piercing
industry. Another being Steve Joyner, an advanced
piercer who had brought all of the piercers from the
studio he worked at out to LV to gain the same
information we all sought. And after two years this
reputation in Nashville had come to pass, at this point we were
no longer needed at this location, the owner of the
tattoo business decided. Fortunately an opportunity
arose to leave Nashville, and head out to Texas in
the form of Steve Joiner. Whom was opening a
studio in Arlington Texas, in conjunction with an
existing studio in Dallas, but we had to wait for our
second daughter Candrah to be born before
moving. Seven days after the cesarean section, we
had everything packed and off we went, by far the
slowest move of all time. It took three days.
Ritual body in Arlington was all that we hoped for,
the pay rate would get us by and allow for research,
the studio was open for change (they allowed for
the use of sterile gloves for all procedures,) not to
say the standards were not already high, most
piercing studios still cannot hold a flame to Ritual
Body Arlington. One thing that made it not so good,
very few clients. No clients no pay. Well luckily
Obscurities in Dallas needed someone to fill in for a
piercer they had lost, Steve and Myself worked
alternately at Obscurities for month or so, until the
owner Allen Falkner ( no "u") came back from
vacationing in Australia. I was asked to come over
to Obscurities full time. This is when the second
annual APP meeting was held this time in Florida,
there I was elected onto the Board of Directors as
the Outreach Coordinator. Eventually the other
Obscurities had to close it´s doors due to a conflict
of interest with the tattoo artists who worked in the
same building (sound familiar?).. So they needed to
let someone go, and Brian Skellie at Piercing
Experience had offered to hire someone from the
staff. He was in dire need of some help in Atlanta.
Everyone went out to Atlanta to test the waters,
when the last came back, and no one had chosen to stay I was up for the transfer. Instead of coming out to evaluate the studio, we sold what we thought we could and moved out to Atlanta. Here I am, at
Piercing Experience, for some time to come...

October 99 we said goodbye to Jeff & René...
It was excellent working with them as colleagues! All my best towards their
Xipe Project ~||| Brian

Studio History

1992-1994
Chaos ltd
Kingman, AZ

1994-1994
Rights of Ascension
Las Vegas, NV

1994-1997
Rites of Ascension/ Ascension Body Piercing
Nashville, TN

1997-1998
Obscurities / Ritual Body
Dallas, TX

1998- ?( ¥)